Lord SHIVA....................THE MOST MYSTERIOUS HINDU GOD.........
Moola Mantra of..............LORD- SHIVA......PANCHAKSHARI MANTRA.
Om Namah Shivaya..............Its TRANSLATION............
I bow to SHIVA, Shiva is the SUPREME REALITY, THE INNER SELF and it is the name given to consciousness that DWELLS IN ALL.
Of all the deities in the Hindu pantheon, by far the most complex and mysterious to me is Śiva. Devotees and scholars alike have attempted to pierce the shrouds of textual and archaeological history to understand his origin, nature and evolution. Yet he continues to defy comprehension and definition.
Some, following John Marshall, have sought him in the phallic emblems, baetyls, seals and sculptures of the Indus Valley Civilisation. Others like Doris Srinivasan place his origins firmly in the early Vedic fold, and in the Vedic deity Rudra. Still others like Phyllis Granoff point to the textual and iconographic chasm between the Vedic Rudra and the classical Śiva, indicating a need for serious contemplation and research to understand how, if indeed they are one and the same deity, the transition and transformation came about.Rudra’s nature from the early Vedic to the late Vedic period embodies continuities and differences. We find that his benign aspect increasing gradually while his destructive aspect declines, though remains. Rudra of the Ṛgveda is a minor deity, a storm god with just three hymns dedicated to him: 1.114, 2.33 and 6.46. (He appears along with Soma in 1.43 and 6.74). His dual nature is already evident. Prone to anger and quick to dispatch weapons especially arrows against those who enrage him, he is also a deity with healing remedies and a provider of good luck. He is the flame-red boar of heaven, youthful with braided hair, powerful lips, merciful hands, tender-hearted and easy to invoke. Father of the Maruts, dazzling like the bright sun, powerful like a wild beast, swift, with the destructive power of lightning, storm and fire, he is lord of the sacrifice, of song and the physician of physicians. One of the adjectives used for him is indeed śiva (auspicious), but not exclusively. It is used for Agni and Indra and is also the name of a people in the Ṛgveda (7.18.7) The classical iconography (candra, Gaṅgā, liṅga) so familiar to us today is completely absent.
By the time of the composition of the Yajurveda saṃhitas, Rudra has grown tremendously in stature. His importance and physical appearance in the minds of the ṛṣis has changed. Now he is clad in skin, dwells in the mountains, is aged and has a thousand eyes. Ambika is mentioned for the first time in the Vedic corpus at this stage, not as his wife, but as his sister. In what J Bruce Long calls the “embodiment of divine ambivalence”, both the auspicious (śiva) as well as malevolent (rudra) aspects are developed in the renowned Śatarudriya prayer which occurs in the kṛṣṇa Yajurveda and with some modification in the śukla Yajurveda. From being a minor atmospheric deity in the Ṛg saṃhita, he has become Viśvarūpa and his presence can be felt in streams, ponds, banks, on the road, on barren land, in the cow pen, in the heart the whirlpool, in the dust and mist.
Now addressed as Nīlagrīva, Śitikanṭha, Giriśaya (mountain dweller), Viṣāpaharaṇa (one on whom the deadliest poison has no effect), and Paśupati, he is the lord of the forests, trees, fields and plants. In the Śatarudriya is also evident his all-inclusive divinity which is extended to wanderers, thieves, tricksters, robbers and pilferers. His Rudras/gaṇapatis are the lords of carpenters, potters, blacksmiths, fishermen, hunters and the Niṣādas, a non-Vedic tribe. While the Śatarudriya becomes a central text in the worship of the Purāṇic Śiva centuries later, there are just as many features that are unfamiliar (as are familiar) to the devotee who reads it for the first time. For instance, Rudra as Rathapati (lord of chariots), Harikeśa (one who has green hair/green leaves as hair), Kūpya (of the well) and Avaṭya (of the pit/hole).
The Atharvaveda represents a further stage of elevation for the Vedic Rudra. Book XV of this saṃhita identifies him with all of creation in a language which is distinctly Vedic but addresses the deity as Eka-vrātya, vrātyas being not of the ārya community. (Read the first few hymns, or the whole book in translation here. He becomes Mahādeva and holds the bow of Indra, erstwhile chief of the Vedic gods. The texts speak of seven attendants of this deity including Bhava, Īśāna, Paśupati, Śarva, Ugra, Rudra and Mahādeva. They are apart, yet a part of him – a theme which Phyllis Granoff takes up in her research on later developments in the persona of Śiva. Rudra/Mahādeva/Eka-Vrātya is fond of strong sura and shares a special relationship with a puṁścalī (a harlot, lit one who goes after men) but also becomes one with all that the ārya hold pure. Varuṇa, Soma and the seven ṛṣis follow him; hymns like rathantara and brihat follow him, as do the ādityas, and viśvedevas. Mahadev Chakravarti posits the theory that Vedic Rudra is not of ārya origin and that the Atharvaveda represents his increased acceptance by the custodians of the ārya belief system.
The brāhmaṇas progress this continual and by now seemingly unstoppable ascent of Rudra. AB Keith says even the gods are afraid of him by this stage. By the time of the composition of the Śvetāśvatara Upaniṣad (see ŚU 6.18) Rudra has become the one god, the one who creates brahman and bestows the Veda upon him/it. At ŚU 3.2 we encounter a familiar theme: “There is only one Rudra; he has not tolerated a second who would reign over these worlds by his sovereign powers. After drawing in all beings he stands as the protector at the end of time, turning West towards men” Clearly by this period, a cult of Rudra (widely accepted today as a precursor to Śaivism) has been established. Further evidence is to be found in Patañjali’s Mahābhāṣya. Commenting on Pāṇini’s sutra V.2.76, he talks of discreet followers of the deity – Śiva-bhāgavatas, who were āyaḥśūlika (possessing iron spears/lances) and daṇḍājinaka (holders of a staff and wearing animal skin). Patañjali is dated circa second century BCE, while the Śvetāśvatara Upaniṣad is thought to have been composed between the sixth and the fourth century BCE.
He remains connected to the Vedic ritual as can be seen in the śrauta and gṛhya sutras. Over and above that it is recommended that he be adored in practically all walks of life. Śāṅkhāyana gṛhyasutra prescribes Rudra worship to sick people. The Pāraskara gṛhyasutra directs “adoration” when crossing a path, approaching a cross road, swimming across a river, getting into a boat, entering a forest or climbing a mountain, passing by a burial ground or a cow pen. For Rudra clearly has come to inhabit the universe. The Hiraṇyakeśī gṛhyasutra recommends the same if one chances upon a cattle dung heap, is plunged into a river, is near a creeping snake, by a sacrificial site or a big old tree.
So far we have touched upon the trajectory of Rudra in the early and late Vedic texts. As yet there is no consensus as to the origin of this deity. Was he pre-ārya? Was he contemporary but external to the ārya? Was he a mountain or a forest god? A malevolent force of nature? Or was he clearly as ārya as Agni, Vāyu and Soma, as Doris Srinivasan would have us believe? Did he gain all his epithets by absorbing the gods of smaller autochthonous cults? What were the stories that led to his names in the Śatarudriya? We have traversed close to two thousand years of textual history and as yet we haven’t even reached the part where he becomes unequivocally Śiva or Śankara. I urge all to learn Sanskrit, read the Vedic corpus and find your own answers!
Symbolic Name of Lord SHIVA...................
When looking at an image of Lord Shiva, it seems to reveal something to our inner self, as it does to all living beings, blessed to know about him, blessed to be able to worship him. To begin with, he is the only powerful deity, who does not adorn jewels, clothes, or surround himself with luxuries. He dresses in just a tiger skin, just bare-basic clothing for survival, no ornaments, gold, gems or crowns. His first outright message is to disengage the mind from distractions of wealth, temporary beauty image, and luxury that maya traps us into and we so willingly stay chained into, and we waste our time running after.
His message is to refrain from getting too materialistic and to understand that simplicity is a sign of power. He is so powerful, yet so humble and simple in his persona.
His half open and tied tresses, show how he does let his hair-down, stay calm, enjoy surroundings, and he wants us to live each day as it comes, enjoying the moment, yet his half tied tresses, indicate, we should continue to do our duty, at our pace. His tied hair, continuously saves the Earth from the powerful flow of the river Ganga. If he gives up his dharma, the entire earth will submerge. So, it indicates a middle path of doing one’s duty continuously, inside us, the quest to seek the divine should never die. Keep the thirst and quest on, keep doing your duties to others, yet, enjoying the beauty and joys that surround us.
The Moon on his head, might indicate that he lives on the highest point, on Earth, Mt. Kailash, that he lives close to us, and every night the moon transiting the night sky, is worn by the head of the almighty who is also watching over us, every second. He saved the moon from the curse of Daksha and thus gave the Moon a place to stay.
The nilakanth, or his blue neck, with the story of his drinking hala-hal vrish from the samudra manthan, could tell a human, that vaani/speech can be like vrish or poison, and should always be under check. So many karmas turn bad, just due to bad words emitted in the heat-of-a-moment and the snake in his neck is a motivation for us to arouse our kundalini shakti. The three and a half coiled snake, we see so many times, is that bhujangini shakti- kundalini shakti, that can activate the sleeping parts of the brain, elevating us from the current level and helping us reach our divine God.
Vanmalaa or garland in his neck, indicates his love for nature, his love for Dance, Music, drama and beauty, which show his artistic sides. It also indicates, his soft side within.
His trident or Trishul with three spears, could be an indicator or symbol of destroying all three gunas, the Rajo, Tamo and Sattva Guna. He is motivating us to try and rise above the ebb and flow of the three gunas. The Trishul can also mean he wants us to reach for moksha, by killing the present, past and future, which are symbolised by the three spears of trishul.
His third eye, or activated Ajna chakra, sends the message to meditate, and with the opening of this pineal gland chakra, shall all our karmas, moha, lobh, krodh, and kaam , be destroyed.
His Damru (hand drum), is like a wake up call, asking us to wake up from this muddle of maya, that it is high time, we humans utilize this yoni, yog, opportunity and get out of this endless cycle of sufferings, to go back home to Ananda state and start working towards the real goal of life.
The bells on his waist, are a reassuring sign, that when we will walk through the dark jungle of tapas, of mediation we will not walk alone, through the sides, by our side, he will walk us through it. His presence will be felt deep in the state of samadhi, he will make us feel it.
Nandi ji – the Bull – can indicate the male energy. The cow is the most precious possession for mankind and the Bull is thus the male other half of this nurturing cow. Milk, butter, ghee and so much more comes from cows, but the Bull is the silent father who does contribute. He also ploughs the land, that then becomes ready for seeds for farming. Again, the seeds are sown, but earth is made ready by the Bull.
Finally – the lingam , to me, is the matter part of a deepak jyoti. Mata Shakti can be the ghee/oil that will nourish the jyoti, but unless the cotton lump takes the form of linga, or a conical upright form, the creation of heat and light to nourish, nurture, and guide humans cannot be created. We stare at it, create the essence of the universe everyday, in our puja, yet we do not grasp the secrets it is showing us. Every linga of Shiv Ji tells us, how matter and energy have combined, to create light – knowledge – which should help us free ourselves from this Maya and provide heat – which is nurturing and nourishing us.
om namah shivaya!
om aem hrim kleem chamundayae vicchaye!
om aem hrim kleem chamundayae vicchaye!
108 Names of Lord SHIVA as Ashttotharashta Namavali mantra.......
1. Om Shivaya Namaha
Obeisances to the Auspicious One
2. Om Maheshvaraya Namaha
Obeisances to the Great God Shiva
3. Om Shambhave Namaha
Obeisances to the God who exists for our happiness alone
4. Om Pinakine Namaha
Obeisances to Shiva, who guards the path of dharma
5. Om Shashishekharaya Namaha
Obeisances to the God who wears the crescent moon in his hair
6. Om Vamadevaya Namaha
Obeisances to the God who is pleasing and auspicious in every way
7. Om Virupakshaya Namaha
Obeisances to the God of spotless form
8. Om Kapardine Namaha
Obeisances to the Lord with thickly matted hair
9. Om Nilalohitaya Namaha
Obeisances to the God splendid as the red sun at daybreak
10. Om Shankaraya Namaha
Obeisances to the source of all prosperity
11. Om Shulapanaye Namaha
Obeisances to the God who carries a spear
12. Om Khatvangine Namaha
Obeisances to the God who carries a knurled club
13. Om Vishnuvallabhaya Namaha
Obeisances to Shiva, who is dear to Lord Vishnu
14. Om Shipivishtaya Namaha
Obeisances to the Lord whose form emits great rays of light
15. Om Ambikanathaya Namaha
Obeisances to Ambika’s Lord
16. Om Shrikantaya Namaha
Obeisances to he whose throat is shining blue
17. Om Bhaktavatsalaya Namaha
Obeisances to the Lord who loves His devotees like new born calves
18. Om Bhavaya Namaha
Obeisances to the God who is existence itself
19. Om Sarvaya Namaha
Obeisances to Shiva who is all
20. Om Trilokeshaya Namaha
Obeisances to Shiva who is the Lord of all the three worlds
21. Om Shitakanthaya Namaha
Obeisances to the primal soul whose throat is deep blue
22. Om Shivapriyaya Namaha
Obeisances to the god who is dear to Shakti
23. Om Ugraya Namaha
Obeisances to Shiva whose presence is awesome and overwhelming
24. Om Kapaline Namaha
Obeisances to the God whose begging bowl is a human skull
25. Om Kamaraye Namaha
Obeisances to Shiva who conquers all passions
26. Om Andhakasura Sudanaya Namaha
Obeisances to the Lord who killed the asura Andhaka
27. Om Gangadharaya Namaha
Obeisances to the God who holds the Ganges River in his hair
28. Om Lalatakshaya Namaha
Obeisances to the Lord whose sport is creation
29. Om Kalakalaya Namaha
Obeisances to Shiva who is the death of death
30. Om Kripanidhaye Namaha
Obeisances to the God who is the treasure of compassion
31. Om Bhimaya Namaha
Obeisances to Shiva whose strength is awesome
32. Om Parashu Hastaya Namaha
Obeisances to the God who wields an axe in his hands
33. Om Mrigapanayae Namaha
Obeisances to the Lord who looks after the soul in the wilderness
34. Om Jatadharaya Namaha
Obeisances to Shiva who bears a mass of matted hair
35. Om Kailasavasine Namaha
Obeisances to the God who abides on Mount Kailas
36. Om Kavachine Namaha
Obeisances to the Lord who is wrapped in armor
37. Om Kathoraya Namaha
Obeisances to Shiva who causes all growth
38. Om Tripurantakaya Namaha
Obeisances to the Lord who destroyed the three demonic cities
39. Om Vrishankaya Namaha
Obeisances to the God whose emblem is a bull (Nandi)
40. Om Vrishabharudhaya Namaha
Obeisances to Shiva who rides a bull
41. Om Bhasmoddhulita Vigrahaya Namaha
Obeisances to the Lord covered with holy ash
42. Om Samapriyaya Namaha
Obeisances to the God exceedingly fond of hymns from the Sama Veda
43. Om Svaramayaya Namaha
Obeisances to Shiva who creates through sound
44. Om Trayimurtaye Namaha
Obeisances to the Lord who is worshiped in three forms
45. Om Anishvaraya Namaha
Obeisances to the undisputed Lord
46. Om Sarvagyaya Namaha
Obeisances to the God who knows all things
47. Om Paramatmane Namaha
Obeisances to the Supreme Self
48. Om Somasuragni Lochanaya Namaha
Obeisances to the light of the eyes of Soma, Surya and Agni
49. Om Havishe Namaha
Obeisances to Shiva who receives oblations of ghee
50. Om Yagyamayaya Namaha
Obeisances to the architect of all sacrificial rites
51. Om Somaya Namaha
Obeisances to the Moon-glow of the mystic’s vision
52. Om Panchavaktraya Namaha
Obeisances to the God of the five activities
53. Om Sadashivaya Namaha
Obeisances to the eternally auspicious benevolent Shiva
54. Om Vishveshvaraya Namaha
Obeisances to the all-pervading ruler of the cosmos
55. Om Virabhadraya Namaha
Obeisances to Shiva the foremost of heroes
56. Om Gananathaya Namaha
Obeisances to the God of the Ganas
57. Om Prajapataye Namaha
Obeisances to the Creator
58. Om Hiranyaretase Namaha
Obeisances to the God who emanates golden souls
59. Om Durdharshaya Namaha
Obeisances to the unconquerable being
60. Om Girishaya Namaha
Obeisances to the monarch of the holy mountain Kailas
61. Om Girishaya Namaha
Obeisances to the Lord of the Himalayas
62. Om Anaghaya Namaha
Obeisances to Shiva who can inspire no fear
63. Om Bujangabhushanaya Namaha
Obeisances to the Lord adorned with golden snakes
64. Om Bhargaya Namaha
Obeisances to the foremost of rishis
65. Om Giridhanvane Namaha
Obeisances to the God whose weapon is a mountain
66. Om Giripriyaya Namaha
Obeisances to the Lord who is fond of mountains
67. Om Krittivasase Namaha
Obeisances to the God who wears clothes of hide
68. Om Purarataye Namaha
Obeisances to the Lord who is thoroughly at home in the wilderness
69. Om Bhagavate Namaha
Obeisances to the Lord of prosperity
70. Om Pramathadhipaya Namaha
Obeisances to the God who is served by goblins
71. Om Mritunjayaya Namaha
Obeisances to the conqueror of death
72. Om Sukshmatanave Namaha
Obeisances to the subtlest of the subtle
73. Om Jagadvyapine Namaha
Obeisances to Shiva who fills the whole world
74. Om Jagadgurave Namaha
Obeisances to the guru of all the worlds
75. Om Vyomakeshaya Namaha
Obeisances to the God whose hair is the spreading sky above
76. Om Mahasenajanakaya Namaha
Obeisances to the origin of Mahasena
77. Om Charuvikramaya Namaha
Obeisances to Shiva, the guardian of wandering pilgrims
78. Om Rudraya Namaha
Obeisances to the Lord who is fit to be praised
79. Om Bhutapataye Namaha
Obeisances to the source of living creatures, including the Bhutas, or ghostly creatures
80. Om Sthanave Namaha
Obeisances to the firm and immovable deity
81. Om Ahirbudhnyaya Namaha
Obeisances to the Lord who waits for the sleeping kundalini
82. Om Digambaraya Namaha
Obeisances to Shiva whose robes is the cosmos
83. Om Ashtamurtaye Namaha
Obeisances to the Lord who has eight forms
84. Om Anekatmane Namaha
Obeisances to the God who is the one soul
85. Om Satvikaya Namaha
Obeisances to the Lord of boundless energy
86. Om Shuddha Vigrahaya Namaha
Obeisances to him who is free of all doubt and dissension
87. Om Shashvataya Namaha
Obeisances to Shiva, endless and eternal
88. Om Khandaparashave Namaha
Obeisances to the God who cuts through the mind’s despair
89. Om Ajaya Namaha
Obeisances to the instigator of all that occurs
90. Om Papavimochakaya Namaha
Obeisances to the Lord who releases all fetters
91. Om Mridaya Namaha
Obeisances to the Lord who shows only mercy
92. Om Pashupataye Namaha
Obeisances to the ruler of all evolving souls, the animals
93. Om Devaya Namaha
Obeisances to the foremost of devas, demigods
94. Om Mahadevaya Namaha
Obeisances to the greatest of the gods
95. Om Avyayaya Namaha
Obeisances to the one never subject to change
96. Om Haraye Namaha
Obeisances to Shiva who dissolves all bondage
97. Om Pashudantabhide Namaha
Obeisances to the one who punished Pushan
98. Om Avyagraya Namaha
Obeisances to the Lord who is steady and unwavering
99. Om Dakshadhvaraharaya Namaha
Obeisances to the destroyer of Daksha’s conceited sacrifice
100. Om Haraya Namaha
Obeisances to the Lord who withdraws the cosmos
101. Om Bhaganetrabhide Namaha
Obeisances to Shiva who taught Bhaga to see more clearly
102. Om Avyaktaya Namaha
Obeisances to Shiva who is subtle and unseen
103. Om Sahasrakshaya Namaha
Obeisances to the Lord of limitless forms
104. Om Sahasrapade Namaha
Obeisances to the God who is standing and walking everywhere
105. Om Apavargapradaya Namaha
Obeisances to the Lord who gives and takes all things
106. Om Anantaya Namaha
Obeisances to the God who is unending
107. Om Tarakaya Namaha
Obeisances to the great liberator of mankind
108. Om Parameshvaraya Namaha
Obeisances to the great God
J.KANNAN, M.Com, FIATA
"WE DON'T THINK TO BREATHE
WE BREATHE TO THINK"
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